The HHS will sponsor a program about two of the Haverhill/Newbury area’s best-known historical figures on Sunday, August 11 at 2:00 PM. “The Lives of Henry and Frances Parkinson Keyes” will be described by two of the couple’s grandchildren at Court Street Arts/Alumni Hall in Haverhill Corner. Admission is free and open to the public.
Presenter Peter Keyes is a retired teacher now living in Newbury and the proprietor of Oxbow Books. His cousin Frances Keyes Keidel lives outside Philadelphia, but spends much of her time at the ancestral family home, Pine Grove Farm in North Haverhill. They will discuss the lives and careers of their well-known grandparents.
Henry Keyes was born in 1862 in Newbury and settled at Pine Grove Farm after graduation from Harvard. He was a founder of the Woodsville Bank and served in both branches of the New Hampshire legislature and as Governor of New Hampshire for one term, 1917-1919. He is best remembered as a three-term U.S. Senator, representing New Hampshire until 1937. He died in 1938.
His wife, Frances Parkinson Keyes, was twenty-two years his junior when they married in 1903. She published her first novel in 1919 and became well known for a series of articles in Good Housekeeping magazine, “Letters from a Senator’s Wife,” about life in Washington, DC. She would go on to publish over fifty books and become one of the most popular novelists of the mid-twentieth century. Many of her books were bestsellers, and Life magazine named her one of the “three queens” of fiction in the U.S. in 1950. She died in 1970.
Keyes and Keidel will display books and memorabilia related to the lives of their grandparents. Their program is part of a series celebrating the 250th anniversary of the founding of Haverhill, New Hampshire and Newbury, Vermont.
Wednesday, July 31, 2013
Monday, July 15, 2013
Haverhill Academy Building
As renovation work proceeds apace at the Haverhill Academy building (next door to Pearson Hall), Dr. Kimberly Alexander shares some information about the architect who designed the building. She begins:
"With the exciting new work underway at the Academy Building, readers may enjoy some insights into the career of the architect – Littleton-based Edward Thornton Sanderson. Sanderson designed the Academy Building in 1896-1897.
"The building is a rich combination of Richardsonian Romaneqsue style with Queen Anne overtones, such as the fabulous entry, which has recently been restored by the current owners. The Richardsonian Romanesque was popularized by the famed American architect H. H. Richardson, mastermind behind Trinity Church in Boston, among countless mid-19th century landmarks. As with its early 19th century neighbor, Pearson Hall (1816+), the Academy boasts a strong, multi stage tower which was, and still is, a highly visible local landmark. The hard, dark red brick is relived by the yellow or buff brick which highlights details on the façade and tower. The building is set on a muscular rusticated granite base. The lighter brick was in vogue for institutional buildings from the late 19th through early 20th centuries."
Her article continues here.
"With the exciting new work underway at the Academy Building, readers may enjoy some insights into the career of the architect – Littleton-based Edward Thornton Sanderson. Sanderson designed the Academy Building in 1896-1897.
"The building is a rich combination of Richardsonian Romaneqsue style with Queen Anne overtones, such as the fabulous entry, which has recently been restored by the current owners. The Richardsonian Romanesque was popularized by the famed American architect H. H. Richardson, mastermind behind Trinity Church in Boston, among countless mid-19th century landmarks. As with its early 19th century neighbor, Pearson Hall (1816+), the Academy boasts a strong, multi stage tower which was, and still is, a highly visible local landmark. The hard, dark red brick is relived by the yellow or buff brick which highlights details on the façade and tower. The building is set on a muscular rusticated granite base. The lighter brick was in vogue for institutional buildings from the late 19th through early 20th centuries."
Her article continues here.
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